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<p>That's heart, giving the finger</p>

That's heart, giving the finger

Watch: Green Day's 'Stray Heart' warns the womanizer

Stream the band's entire album

We already exclaimed the positives to acts like Green Day releasing their new sets -- including forthcoming "¡Dos!" -- on vinyl. In the music video for single "Stray Heart," though, not even the gift of a record can help solve one womanizer's stray heart problem.

In the silly vid, a man's most powerful organ has departed from it's holding cavity (his chest, guttermind) and has gone around to the bars and strip clubs where it frequently serves others beyond his true love. This, in a world where he is surrounded by nothing but attractive women. The lost and devestated man goes on a hunt for his own heart, finding it has ultimately returned to its regular coop.

Maybe she just didn't have a record player?

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'Skyfall' stars Naomie Harris and Berenice Marlohe offer alternatives to being called 'Bond Girls'

'Skyfall' stars Naomie Harris and Berenice Marlohe offer alternatives to being called 'Bond Girls'

How are these 'Bond Beasts' different from past Bond Girls?
NEW YORK CITY - In "Skyfall," Naomie Harris and Berenice Marlohe play variations on what have typically been called "Bond Girls," since Ursula Andress rose from the sea in "Dr. No." 
 
Of course, with James Bond turning 50 this year and a whole new generation of filmmakers and audiences discovering and embracing the franchise, perhaps it's time for some new nomenclature. 
 
"I would prefer Bond Woman rather than 'Girl,'" laughed Harris when we spoke in New York City a few weeks ago. 
 
Marlohe offered a playfully different version, saying "I love 'Bond Girl,' but I would prefer 'Bond Beast.'" 
 
In our conversation, Harris and Marlohe explain how Eve and Severine from "Skyfall" aren't typical Bond Girls, no matter what you choose to call them. They also discuss the importance of Daniel Craig in setting the on-set tone as Ambassador of James Bond.
 
"Skyfall" opens domestically on Friday, November 9. You can also check out my interviews with Daniel Craig and Dame Judi Dench and Javier Bardem.
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<p>Mariah Carey</p>

Mariah Carey

Credit: AP Photo

Listen: Mariah Carey's new track, 'Bring It On Home'

Written for Obama, it works as an uplifting ballad for any occasion

Mariah Carey may have written her newly-released tune, “Bring It On Home” for President Obama’s re-election effort, but it’s a soulful ballad that members of any political party can get behind.

The piano-based tune starts with Carey singing “We’re just every day people trying to make it through the pain.” While it’s a little tough to buy Carey as “every day people,” the rest of the slow jam easily translates into an uplifting, inspirational tune about overcoming adversity in any circumstance.

[More after the jump...]


Backed by a gospel choir (of course), Carey sounds strong, but keeps the call-all-dogs high notes at bay here (until the end) in service of the song’s simple message. The tune, recorded live at a campaign event earlier this year, showed up on Carey’s producer Jermaine Dupri’s website this morning.

No word on it if will appear on her forthcoming album, which still has no announced release date or title. The first single, “Triumphant (Get ‘Em),” didn’t fare well at pop radio, but did notch the “American Idol” judge her 16th No. 1 dance hit. 

What do you think of “Bring It On Home?” Does it work outside of its original context?

 

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<p>Martin Freeman in &quot;The Hobbit: An Unexpected Journey.&quot;</p>

Martin Freeman in "The Hobbit: An Unexpected Journey."

Credit: Warner Bros. Pictures

Roundup: Low screen count for high frame rate in 'The Hobbit'

Also: Hollywood under Obama, and 'Skyfall' still storming Britain

Not much news out there that isn't focused on the vastly gratifying result of yesterday's election: well done, America. But to switch gears to movie matters, are you among those totally psyched for the new frame-rate technology set to be showcased in "The Hobbit: An Unexpected Journey?" Hard luck if you are, since it's been announced that just 450 theaters across the US will be screening the film in the 48-frames-per-second format -- a little over one-tenth of the likely screen count. Hardly a surprising turn of events after the largely tepid response to the 48fps footage screened at Comic-Con: while some advocates claimed to be seeing the future of cinema, many others found the future of cinema looked too much like hi-def TV for their liking. Will you be seeking it out in the new format? [LA Times

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<p>Rob and Kelley of &quot;The Amazing Race&quot;</p>

Rob and Kelley of "The Amazing Race"

Credit: CBS

Interview: Rob & Kelley talk 'The Amazing Race'

Team Monster Truck doesn't think highly of money-stealers
On "The Amazing Race" a couple weeks back, Monster Trucker Rob French blamed a local Bangladeshi riverboat captain for costing his pairing the million dollar prize due to a faulty end-of-Leg delivery.
 
Rob spoke too soon. The transportation screw-up only cost Rob & Kelley one place in that particular Leg.
 
It was a different travel gaffe, this one self-inflicted, that officially ended things for Rob & Kelley. On an early morning in Istanbul, they were the only team to take the Metro to a clue marker, eschewing taxi cabs for fear of traffic congestion. Had there been gridlock in Istanbul that day, Rob & Kelley would have been the beneficiaries of that decision. Instead, they spent a full episode lagging in last place, unable to make up enough time to recover.
 
"[W]e were all good with getting eliminated, but when we saw that last night, it pretty much upset us, because we felt that they didn't get what was due them," Rob told me when we spoke on Monday morning.
 
Both Rob and Kelley expressed disappointment that Natalie & Nadiya and Trey & Lexi weren't penalized in any way for pocketing $100 belonging to Mark & Abba, an appropriation of funds that left The Rockers begging for cash in the streets of Bangladesh. They also seemed rather unimpressed that Beekmans Josh & Brent received a penalty that amounted to eating an ice cream cone.
 
Of course, Rob & Kelley were mostly full of praise for Josh & Brent, who they bonded with along the Race. In the exit interview, they discuss their lone wolf strategy, their Istanbul travel strategy and why they felt like underdogs.
 
Click through...
 
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Chuck Zito in 'Sons of Anarchy'

Chuck Zito as Frankie Diamonds in 'Sons of Anarchy'

Credit: FX

'Sons of Anarchy' recap: 'Andare Pescare' is a smooth ride

Kurt Sutter shines behind and in front of the camera in one of the season's most consistent episodes

Episodes like this are why I can't give up on "Sons of Anarchy."

"Andare Pescare" (translated from Italian it's "to go fishing") is as consistent, satisfying, and simply well done an episode of "Sons" as we've seen in a long time. If the balance of tough guy action and emotional character interactions was always this finely tuned, "Sons" would be a threat to the best dramas on TV.

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<p>Jonathan&nbsp;Demme at the 2012 Venice Film&nbsp;Festival</p>

Jonathan Demme at the 2012 Venice Film Festival

Credit: AP Photo/Domenico Stinellis

Jonathan Demme to receive Cinema Audio Society's Filmmaker Award

Frequent collaborator Chris Newman will receive Career Ahievement award

Oscar-winning director Jonathan Demme has been tapped by the Cinema Audio Society for special recognition this year. The helmer of such films as "The Silence of the Lambs," "Philadelphia" and "The Manchurian Candidate" remake will receive the organization's Filmmaker Award at the 49th annual celebration.

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<p>The cast of &quot;The Best Exotic Marigold Hotel.&quot;</p>

The cast of "The Best Exotic Marigold Hotel."

Credit: Fox Searchlight Pictures

Is 'The Best Exotic Marigold Hotel' one to watch for the Brit vote?

Yesterday's BIFA haul bodes well for multiple BAFTA nods

Beyond the smallish circle of UK-based critics and industry folk, yesterday's British Independent Film Awards didn't attract much attention -- which is hardly surprising, given what a quiet year it's been for British film. Heavily-nominated titles like "Berberian Sound Studio" and "Sightseers," excellent as they are, aren't of much interest to awards-watchers with an eye only on Oscar possibilities -- of which the BIFA list presented very few.

Crossover nominee "The Imposter" is certainly one to watch in the documentary Oscar race, especially given the new voting system's emphasis on higher-profile theatrical releases. But the nominee we seem likeliest to hear more of in major categories through the rest of season is also the one that took BIFA observers most by surprise: John Madden's "The Best Exotic Marigold Hotel." 

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Chloe Sevigny in "American Horror Story"

 Chloe Sevigny in "American Horror Story"

Credit: FX

Chloe Sevigny talks what's next for poor Shelley on 'American Horror Story'

Shelley will be 'transformed into something not so pleasant to look at'

After last week's episode of "American Horror Story," Chloe Sevigny left an indelible mark for viewers as Shelley, the latest unlucky victim of Dr. Arden (James Cromwell). The actress spoke to journalists in a conference call about what's next for her persecuted character (think "transformation" in the worst possible sense), another character who may be meeting a dark end, and why she doesn't think "American Horror Story" is a guilty pleasure.

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<p>The Civil Wars</p>

The Civil Wars

Credit: AP Photo

The Civil Wars cancel tour citing 'internal discord'

Grammy-winning pair abruptly ends European outing

We guess it wasn’t so civil after all.  After one celebrated full-length album and two Grammy Awards, The Civil Wars have announced the cancellation of their current tour because of “irreconcilable differences.”

In a statement posted on Facebook, Joy Williams and Paul White wrote: “We sincerely apologize for the canceling of all of our tour dates. It is something we deeply regret. However, due to internal discord and irreconcilable differences of ambition we are unable to continue as a touring entity at this time. We thank each and every one of you for your amazing love & support. Our sincere hope is to have new music for you in 2013.”

Additionally, they offer to refund anyone’s non-refundable charges incurred with the cancellation, including service charges and travel reservations. The pair were in the middle of a European tour with dates in Australia and New Zealand to come in 2013.

The last line about new music is a nice idea to hang one’s hopes on, although it’s hard to imagine that they could overcome whatever “internal discord and irreconcilable differences” they have that are intense enough to make them quit in the middle of a tour. But bands have certainly reunited after far more acrimonious situations.

White and Williams met in Nashville in 2008 and began writing together. They released an EP, produced by Charlie Peacock, that featured title track “Poison & Wine.” The song was featured on “Grey’s Anatomy” in 2009. 

The Civil Wars released their first and only full-length set, “Barton Hollow,” in February 2011. The plaudits came fast and furiously as the duo was nominated for CMT Awards, Americana Music Awards, CMA Awards and for two Grammys for best folk album and best country dup/group performance. The group won both Grammys.

The Civil Wars were also featured on “The Hunger Games” soundtrack on the tune “Safe & Sound” with Taylor Swift.  The soundtrack’s producer T Bone Burnett more recently used one of their songs, “If I Didn’t Know Better” to close the first episode.

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<p>Madonna</p>

Madonna

Credit: AP Photo

Hail, Hail Madonna: Our all-time top 10 Madonna tracks

We celebrate Madge on the 30th anniversary of her first Billboard chart appearance

It’s election day, but today is special for another reason. As Madonna fans/obsessives know, today marks the 30th anniversary of the Material Girl’s first appearance on a Billboard chart

Billboard chart editor, No. 1 Madonna fan and all-around good egg Keith Caulfield put together a great primer on Madge’s chart history starting with her Nov. 6, 1982 debut on Billboard’s Dance/Club Play Songs chart at No. 40 with “Everybody.”

Since then, she amassed some amazing stats, including 156 No. 1s culled from her appearances on all of Billboard’s charts. Madonna has logged 56 Hot 100 hits, 38 of which have gone Top 10.

For fun, I compiled my own Top 10 list of Madonna songs culled from her 38 Top 10 hits. See if you agree and post your top 10 in the comments section below.

[More after the jump...]


10. “Hung Up” (2005) The perfect blend of Madonna and Abba (the song samples “Gimme Gimme Gimme (A Man After Midnight).” Two of the biggest artists in the pop pantheon coming together for this twirling dance hit. What could be better?

9. “Cherish” (1989): A return to the light-hearted dance pop of Madonna’s very early years.  It’s a skip-down-the-street kind of song. This is what pure joy sounds like.

8. “Material Girl”
(1985)  Madonna poked fun at her image perfectly with this peppy ode to all things materialistic. The video turned a catchy song into an iconic one. Plus, her delivery is delightful.

7. “Ray Of Light”
(1998) Simply groundbreaking at the time as it helped usher electronic music into the mainstream. If you weren’t into the dance scene, you’d never heard anything like this before coming out of your speakers. It’s also worn very well.

6. “Open Your Heart”
(1986) Again, not a great vocal performance from Madonna, but she strikes a convincing vulnerability as she pleads for a little consideration.  Yes, it sounds dated, but in the best possible way in that you remember where you were when you first heard it.

5. “Don’t Tell Me” (2000): A great change of pace for Madonna, this country-tinged track, written by Joe Henry, combines a classic country feel with a dance production by Mirwais. Throw in the lack of effects on Madonna’s voice and the occasional silence pauses and it shouldn’t work, but it does. Brilliantly.

4. “Secret” (1994): She’s not really comfortable in that low range, but there’s a wonderful aura around this mysterious, hypnotic long song. This one’s all about the slinky, sultry production more than Madonna’s vocal performance.

3. “Express Yourself” (1989)” One of the greatest female empowerment pop anthems, despite the fact that she’s chained up in the video. But as she explained at the time, she’s the one doing the restraining, so it’s still empowering.

2. “Like a Prayer”
(1989): Everything about this single is perfect: Madonna’s delivery, the production, the shifts in tempos and instrumentation throughout.  One of the best records ever made. The choir: perfection.

1. “Borderline” (1984): It’s an oldie, but a goodie. Madonna still had a sweet innocence that  was soon left in the dust, but here it’s present and delightful. Besides, who hasn’t had a love who deliciously makes them feel like they’re going to lose their mind?

 

Which songs make your top 10?

 

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Listen: Firewall & Iceberg Podcast No. 156

Listen: Firewall & Iceberg Podcast No. 156

Dan and Alan talk 'Witness,' 'Wedding Band,' 'Walking Dead' and more

The

Happy Tuesday, Boys & Girls!
 
Due to Hurricane Sandy, we [Sepinwall in particular] were off the grid last week and then, after we settled in and recorded a half-hour of a podcast yesterday, we [Sepinwall, really] got power back and the migration led to a one-day delay.
 
That means that the podcast begins with a review of HBO's "Witness," which actually premiered on MONDAY night. It's very good, though, and we recommend you watch it in some form or another, so it's OK. 
 
We also talked about TBS' "The Wedding Band," revisited ABC's "Nashville" and "Last Resort" and had spoiler-heavy discussion of both "The Walking Dead" and two weeks of "Homeland."
 
And, somewhere in the middle, we talked about NBC's midseason schedule and plans to revamp "Up All Night." So it was a busy podcast.
 
Here's the breakdown:
"Witness" (00:01:55 - 00:11:05)
"The Wedding Band" (00:11:05 - 00:23:25)
NBC's Midseason Schedule (00:23:25 - 00:37:30)
"Nashville" (00:37:30 - 00:44:15)
"Last Resort" (00:44:20 - 00:52:05)
"The Walking Dead" (00:52:20 - 01:10:30)
"Homeland" (01:10:30 - 01:31:30)

As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed.] 

And as always, feel free to e-mail us questions for the podcast.

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